Visual Instincts

The Source Of Creativity & The Expression Of Knowledge!

When I commenced my self development work last year, I was expecting the typical two chairs, the counsellor and the counsellee [if there is a such a word. There is, I just checked.] I originally expected to be sitting that chair, opposite my chosen shrink, and doing all this yakking, while he interjected with a question every now and then. That can be a good way for the first timer, someone who is wary of the counselling process. But for someone like me, who has been involved in workshops, role plays and hands on group activities, I did need something more proactive, though I didn’t quite realise that at the time.

I had my expectations and preconceived notions of who I wanted my shrink to be, but as My Mountain Man said to me last year, “I was already placing obstacles in my path, before I even started the process.” At the time, I was resolute about who and what I wanted. I didn’t want to spend too much time searching or else I would lose the momentum [and desire]. I followed up a few adverts, and after some negotiating regarding money, I settle for my current counsellor, who proved an unexpected revelation.

I sought the services of a counsellor, rather then being referred by a doctor, and that put me at some risk of choosing a dud. But I need to be proactive, and find someone, rather than follow someone else’s recommendation. As I said previously, my choice proved to be a revelation. Unexpected as it was, proving there is some truth in the old adage, “Feel the Fear, But Do it Anyway!”

Specialising in Gestalt Therapy [which was the clincher for working with], my counsellor works from the premise that

a well-lived life is grounded in a person’s awareness of how they live their life and conduct their relationships, in the present, within their life space. From this perspective, Gestalt therapy seeks to promote a person’s awareness, support creative choice and encourage responsibility in a person’s effort to realise a meaningful and fulfilling life.

I had already established a belief system resulting from reading The Road Less Travelled, Zen Guitar, and Owning Your Own Shadow, and various readings from The Tibetan Book Of Living And Dying , and the works of Krishnamurti.

Zen Guitar proved influential. While it discusses the process that the creative person goes through to produce the painting, the music, or the story [though it really talks about the guitar], and that the artistic output is determined by various factors that converge, at any particular point in time, it was a metaphor for living. Who we are, and what we do, is determined by various factors that converge, at a particular point in time. It also means, that the person you are days, weeks, months, and years later, will potentially be different to the one you were days, weeks, months, and years before.

The essence of who we are, remains the same, but we do change as we live our lives, on journey which brings new experiences, knowledge and insights, of which our past, plays its part. This I believe.

An important aspect of my journey, is the Yin Yang, the polar opposites of the positive and the negative, of light and dark, as exemplified by the mandala, provided as food for thought by The Road Less Travelled, and the complicity of the shadow in playing havoc with our ability to live meaningful lives Owning Your Own Shadow.

This is why the counsellor I have chosen, and the methods he works with, fit in with my modus operandi: unifying the polar opposites of my nature, and negotiate my internal warring factions, towards some sort of agreeable coexistence.

As I said, I originally expected my sessions to be two chairs, the counsellor and the counsellee, engaged a convivial chat, interjected with a few questions. But my counsellor being proactive, illustrated the importance of play as part of the learning or healing process, during these sessions. By play, I mean using an activity as the starting point for the session’s dialogue. If you are familiar with the role plays and group exercises in workshops, then this is much the same thing, except that the focus is on you.

Consider the unselfconscious play of children, it becomes apparent that play is not just time wasting, but a learning and healing process. Play allows internal feelings, thoughts and memories to be externalised [so that you become the observer and the one in control], helping to talk to your demons so that you come to understand them, demystify the internal processes causing conflict, discover pleasure in the things and people that attract you; and finally, discovering yourself – who you are, and how you can become that person.

I’m standing in the backyard
Listening to the party Inside
Tonight I’m drinkin’ in the forgiveness
This life provides
The scars we carry remain but the pain slips away it seems
Oh won’t you baby be in my book of dreams [Book Of Dreams, Bruce Springsteen]

In the session I attended, on Thursday, 5 February, 2009, counsellor distributed a stack of cards on the floor. Each card bearing a particular symbol. The idea is to pick any card/ symbol that was either significant to you, or attracted your attention. I reversed the process. I eliminated all the cards that meant nothing to me. I worked rather quickly dismissing several meaningless symbols, like wedding rings, until I was left with just 22 cards.

You can see the 22 cards in the following photograph. During the course of the session, they revealed a remarkably cohesive story. Then again, many of the cards I discarded, contained symbols with similar meaning to the ones I chose. I happened to find these ones, more eloquent in what they expressed to [for] me. The story reflected my dreams, hopes and desires from my past, in the present, and for the future. Dreams, hopes and desires that have remained remarkably consistent.

22 Symbols

22 Symbols

I don’t know how my friends, or other people, perceive me, but this session [these cards] illustrated how far removed from my intentions I am, and the direction in which I am travelling on [but not fast enough]. Unlike the Sandplay Therapy, in this session, I was able to touch on the subject of my deafness. Not in any great depth, but was acknowledged as an important part of my being Who I am.

As I did with the An Hour In The Sandpit With The Sins Of Mephisto PII, rather than write a detailed narrative, I will just list the cards and their symbols, and explain the meaning each holds for me, and where appropriate, how they relate.

  1. Clasped Hands:
    Hands in supplication. An act of humility. Acknowledgement of a higher power. Acknowledgement of the real me, and not some projected fantasy of who I think I am. I know I don’t do humility terribly well, especially in public, but it’s there.
  2. Musical Notes:
    It’s not just about listening to music; but listening to the music inherent in life – the rhythm of life. The music of living life. The music in good relationships. Music is not just an audio experience. It is visual one too. Music is inherent in all the five senses, not just hearing. It’s not just about enjoyment, it’s also about being able to tune in to people, an idea, a feeling, and free wheeling flights of fancy. If my thought processes were a genre of music, they would be, blues, gospel, soul, pop and rock. Hard rock!
  3. Yin-Yang:
    There was no image of the mandala, so I co-opted the Yin Yang, to be the mandala. On the face of it, it is about polar opposites, or the duality life, and our natures. The mandala has an area where two circles intersect. This intersection represents the balance between the light and the dark forces. It is this I am striving for. To balance the different wants, needs, desires, and conflicts, that compete with the demands coming from family, friends and society.
  4. Book:
    Represents knowledge. More pertinently, it represents the source of everything I know. When I became Deaf, the one thing I trusted. The one thing I zeroed in on, was the printed word. Even though I love reading, the printed word meant far more than just the pleasure of reading. I trusted the information because I could SEE it. I never realised until my college years, 25 years ago, just how much my deafness impacted on my life. Books have been a constant companion on many a solitary and lonely night. Without realising that my deafness played a part in cutting me off from socialising, and interaction with people.
  5. Wine Glass:
    Good times, dinner parties, good friends. Intimate strangers. A drink that you hand to a stranger, is a gesture that you want to get to know them.
  6. Theatre Masks:
    The Happy Face vs The Sad Face. My first response to this image, was my affinity for playing games. The love of play. having fun, pulling good natured pranks, on family and friends. My counsellor asked if the sadness is present. I replied that I am drawn to the happy face, more, because it’s a sign of contentment. The sad face is the state of being that I am leaving behind. But also a reminder of where I once was. I still listen to sad songs, as an act of humility [yeah I know], to keep in touch with my past feelings. There is a pleasure in listening to sad songs. The best ones have a duality about them. Think of the blues, where the words are sad, but the music is lively, jovial, sexy and refusing to concede defeat. There is an exquisiteness when a sad feeling is juxtaposed with a happy or humourous moment.
  7. Heart:
    Simple. Love. Being surrounded love. The love of friends. The love of a family. The love of a lover.
  8. Chair:
    Like the cup and the glass, it indicates a place of welcome, room, for either you or the people you love. It also denotes a place to rest.
  9. Question Mark:
    My desire for knowledge. My questioning mind. Analysis. It’s my refusal to take things at face value. I always ask questions. Sometimes unsettling people.
  10. Sign Posts:
    I see the sign posts as a visual marker. It points me to where I want to go, but also presents me with a choice of options of alternative places to go. I am not bounded to follow the direction indicated, I can alter my course.
  11. Road:
    Freedom. It does not symbolise, the never ending search for a home, a place to rest, or the never ending search for answers. That is part of it. Its the desire for adventure, and to seek new faces, new places and new experiences. The never ending quest for knowledge. After I left high school, me and mate would often go out for drives, nowhere in a particular just drive. We would end up sitting on the steps of the old ABC building, in William Street, Kings Cross, Sydney, Australia. Watching the tranny’s ply their trade and cars drive by. Yes, there is the desire to escape.
  12. Cup:
    A gesture of hospitality. One that says, that you have a place at friend’s table. One that you extend in return. Intimate.
  13. Glass:
    A gesture of hospitality. The same as for cup. For me the cup and the glass are interchangeable.
  14. Clock:
    A visual marker of time, not meant to rule me. Like the sign posts, the clock is to tell me where I am now, how much more there is to do, what part of the day I am in. Admittedly I don’t need the clock itself to tell me whether it is morning, after noon, or evening. Just look out the window. The quality of the light will also tell you the time, what part of the day it is. I can tune into my body clock.
  15. Lighthouse:
    The light that lights your way in the darkness. It is also the eureka moment, when everything becomes clearer.
  16. Moon:
    The light that shines at night. A cooler light, to the sun’s burning warmth. The moon represents calmness. While it is the brightest object in the night sky, its light does not block out the stars. It provides a window into the universe. The quiet, the smile of the moon, the night sky, and twinkle of the stars, imparts a mystery, that excites me. Unlike the Sun, whose light is too bright to look at, which dominates the sky, blocking the lesser lights of the stars, pulls me into the present
  17. Key:
    The means to get/discover the answer.
  18. Blank Card:
    I can designate any meaning to this. Especially if the symbol is not present in the stack of cards provided. This one is my house. My space. My castle. Something I am yet to achieve.
  19. Door:
    The entry to the other side. The doorway to the unknown. Never locked. I can always come back, until I am ready to walk through to the other side. I have one foot in the known and one [tentative] in the unknown.
  20. Window:
    Where ever you are, you need a view. A prime viewing spot. Regardless where I am, or what I am doing, I like to keep my eye on what else is happening elsewhere. Anything can be a window for me. A Book, movie, song, or
  21. Pen:
    Creativity. Writing, which is something I have always enjoyed much more than performing. The act of creating [creation]. There is a power in creating. I get to create the world I want to see, and how it should be. Recording my stories. Communication my ideas. Which is why I blog. If anything, reading and writing allow me to access and express, unimpeded, ideas, knowledge, and myself.
  22. Maze:
    I’m not sure what the significance of this is for me. It could mean working my conflict or obstacles. I have thought about it since my last session, but it doesn’t resonate with me at all.

Now the ritual begins
’Neath the wedding garland we meet as strangers
The dance floor is alive with beauty
Mystery and danger
We dance out ’neath the stars’ ancient light into the darkening trees
Oh won’t you baby be in my book of dreams [Book Of Dreams, Bruce Springsteen]

However there was one image not present.

Quatro

Quatro

Related Articles:

An Hour In The Sandpit With The Sins Of Mephisto PIII

An Hour In The Sandpit With The Sins Of Mephisto PII

An Hour In The Sandpit With The Sins Of Mephisto

Recommended Reading & Websites:

Sandplay Therapy

Sandplay Therapy [About]

Sandplay Therapy [Supporting The Emergence Of Self]

Sandplay Therapy [Australian]

Sandplay Therapy [Google Books]

Sandplay Therapy: Inside Out Counselling Service

Zen Guitar [Book]

Zen Guitar [Website]

Owning Your Own Shadow [Book]

Owning Your Own Shadow [Website]

Mandorla

The Road Less Travelled

The Tibetan Book Of Living And Dying

The Tibetan Book Of Living And Dying [Website]

The Tibetan Book Of Living An Dying [Wikipedia]

Krishnamurti [Google Search Results]

Krishnamurti

Prior my recent session with my counsellor, I was thinking about the Sandplay Therapy exercise. The point of the exercise being, to externalise your inner thoughts, feelings, and demons, by engaging in play, using objects and the sandpit as a symbol for your inner world.

One of the reasons why I particularly enjoyed this experience, was the simple fact that it was a visual and tactile exercise. For someone who is Deaf [even deaf or hearing impaired], it is work for the eyes. It makes your inner world real in a way, that my residual hearing doesn’t. I have always trusted my eyes more than my ears. More than this, it appeals to the artist in me – creating worlds, dissecting symbols, and embracing myth and folklore.

I mentioned to my counsellor that it would be a great task when working with Deaf, deaf and hearing impaired people.

If you haven’t read my previous articles on Sandplay Therapy, because you don’t peruse Deaf Read Extras, you can read them here and here.

Related Links:

An Hour In The Sandpit With The Sins Of Mephisto PII

An Hour In The Sandpit With The Sins Of Mephisto

This has been cross posted at Visual Instincts.

I’ve been thinking alot about that last session with my counsellor, which we devoted to activity I described in An Hour In The Sandpit With The Sins Of Mephisto. Talking about ones thoughts and feelings, and analysing them with yet more verbiage, is well and good, but sometimes it’s good to participate in an activity that frees you from the labour of talking. It’s good to do what kids have always do, and that is play. It’s good to escape the bandage that is thinking, and do what do kids have always known to be good and FUN! That is play.

This session was a culmination of six weeks work, and rather than write a detailed analysis of the session, I decided to describe the landscape, the meanings behind the objects I have chosen, and the rationale behind their placement in the landscape. You can draw your own conclusions from the.

The Landscape: Light [Positive] and Dark [Negative] Zones

I’ve already described how the landscape has been created. I can’t remember the order in which I placed the objects, but once my counsellor pointed out the blue, and suggested that the blue could be water. Once he said that, it all fell into place. The bridge [I think] was the first object, or it have been the last [?], that I placed in the landscape, and defined for me the light and the dark. It’s pretty obvious which side is which, and as you can see from the image below, the dark side is quite crowded. Of course, the aim of any self-development exercise is to reduce the size of The Dark Zone, and expand The Light Zone.

The Landscape

The Landscape

The Light [Positive] Zone

  • Old Man Fishing; A figure of contentment. At one with himself. Something I aspire to. A oneness and contentment within myself and my world. There is also the meaning behind the saying [or proverb] “teach a man how to fish, and he will always eat.” something like that. For me it’s meaning of can do. The confidence that comes with the knowledge that indeed, I can do!
  • Laughing Buddha: The Laughing Buddha is seen as a deity of contentment and abundance. I have used the figure in my landscape, as someone whose attitude to life is, “It is what it is!” accompanied by good hearted humour. Of course, where I have placed him, subconsciously, in The Light Zone, his meaning is one of contentment and abundance became apparent.
  • House: A long cherished dream of mine, to have my own house. My own space, of which I am the king. Which expresses who I am, and how I would like my world to be. It is my sanctuary. It is the place where I can be who i am, unfettered by the expectations of the outside world.
  • Blue [Water - Lake/ Pond/ River] : The colour blue represents peace to me. My bedroom walls are painted with this shade of sky blue, and the carpet is a mosaic of blue, grey and white. This patch of blue is on contrast with the colour of the sand, which denotes heat, fire, dryness, and restlessness. Without this patch of blue, the landscape would be hell.
  • Bridge: The bridge is the link between the two worlds. It is not encumbered in any way. I am free to move between either zones. But as you can see from the image above, the two little boys, who represent me, are facing towards the light. As my counsellor pointed out, these two figures are close to the bridge. He asked if this was intentional. I said no. But his comment, was a reminder that I am perhaps closer to my goal of oneness [to where I am going] than I have realised.

The Dark [Negative] Zone

  • Little Boy [Holding teddy Bear and Towel] : This figure is me. The child within me that I have lost. As my counsellor pointed out, this figure is holding a teddy bear and a blanket, both which are symbols for security.
  • Little Boy [Holding teddy Bear] : This figure too is me. Me as I am now. I am looking at the little boy with envy at his innocence, naivety, positiveness, trust and faith, all characteristics that I have lost or buried. The little boy represents what I want to be. What I want to reclaim: innocence, purity, trust and faith. Though older than the other one, and is holding only a teddy bear. One item of security. Which denotes a growing maturity and confidence? This boy is actually looking at the other little boy.
  • Evil Wizard: represents dark forces, negative thoughts. He is fighting the Good Wizard. Both are looked in a duel for control of me, my thoughts, and my destiny.
  • Good Wizard: represents the good forces, positive thoughts. That the Good Wizard is fighting with the Evil Wizard, is a symbol of my internal/ inner struggle
  • Joker: represents distraction. Anything that distracts you [in this case me] from moving towards, achieving your goals, or taking positive action.
  • Clown: A fun and effervescent personality that detracts from the real personality. A facade.
  • Ghost: memories. That the ghost is so close to the first small boy. The ghost is the inner critic. That nagging voice that is always telling you what you should do, or telling you what you should not do. Its role is to instill a fear. A fear that will paralyse you into inaction. A fear of taking a positive action. The ghost is also the memories of bad experiences past.
  • Skeleton: death. This is a nod to the fact that I am getting on. While it is on the far reaches of the landscape, it’s presence is notice that time is indeed running out for me. A realisation that hit me in mid 2008. Remembering the death of a friend who took her own life, really knocked me about for a while. Unlike many, I do not view suicide, or self euthanasia, as a cowardly or selfish act. For me, my friends death was the ultimate act of empowerment. A conscious and courageous decision not made lightly. This contrasted greatly with my own sense of impotence.
  • Vampire Teeth: a prurient interest. Subversion. A lurking intelligence not fully utilised or realised. Like vampires and other creatures, my intelligence only comes out at night. Though, I prefer the sun, the silvery light of a full moon would do just fine.

The size of the The Light Zone is small in comparison to The Dark Zone, which denotes my current preoccupation with negativity [like most of us]. But the power of the light is strong indeed, and it is one that I want to move towards. Half way through the exercise, I was directed to alter the landscape. To make any changes that I saw fit to make. If I was happy with what I originally created I could leave it as it is. I decided to make some changes, small but rather telling [profund].

Altered LandScape

Altered LandScape

The little boy crossed the bridge to The Light Zone . The older boy has moved to the foot of the bridge, about to cross over. The Laughing Buddha was moved to The Dark Zone. I deliberately placed him between the older boy and the dark forces, pushing them back. The Laughing Buddha now standing between the older boy, about to cross over, retains the same message, “Life Is what it is,” but now the message is directed at the dark forces. In effect saying, “Leave the boy be.” More to the point, that they too, can’t have everything they want.

The following pix, which I nicked from my friend Alison Bryan, reminded me of the Sandpit exercise. She called it Scribble, but I call it, The Light.

The Light

The Light

How close I was to the light, but summat was in my way. Looking at it now, it’s more of my vision becoming clearer and finally, I am amble to see the light [where I am going to]. However, so near, yet so far. And as she says, “Part of that is about how much distraction people will put up in their lives, away from what is really important. A statement, perhaps much of treadmill existence feels utterly meaningless, and thus difficult to latch onto. The other part, is around a mass of thoughts. Our minds rarely quieten, jumping from one thing to the next (and that means everyone).”

While I was writing this, I decided to google Sandpit Play, and the results turned up information about Sandplay Therapy. A quick read revealed that this is the same as the workshop I did. If you are interested in Sandplay Therapy, I have provided some links below.

Related Links:

An Hour In The Sandpit With The Sins Of Mephisto

Recommended Reading & Websites:

Sandplay Therapy

Sandplay Therapy [About]

Sandplay Therapy [Supporting The Emergence Of Self]

Sandplay Therapy [Australian]

Sandplay Therapy [Google Books]

Sandplay Therapy: Inside Out Counselling Service

Zen Guitar [Book]

Zen Guitar [Website]

Owning Your Own Shadow [Book]

Owning Your Own Shadow [Website]

Mandorla

The Road Less Travelled

The Tibetan Book Of Living And Dying

The Tibetan Book Of Living And Dying [Website]

The Tibetan Book Of Living An Dying [Wikipedia]

This has been crossposted at i.Mephisto.

Yesterday [it is now 5 days later, Tuesday 16 December, 2008 - edit], Thursday, 11 December, 2008, beginning at 11.30 am, the hour that traversed mid day, was an hour of fun. An hour of fun for me, Tony Nicholas, but Mephisto to you, in The Sandpit, aka the Devil’s Playground.

Those who read my blog, will know of my fondness for words, word play, their power and the images they conjure. Heck, I spent ages trying to compose a perfect title for this post, that encapsulates the self exploratory program I am doing, of which yesterday’s activity was the culmination of six weeks work.

The activity is called The Sandpit. I wanted a title that would encapsulate the content, the intent, and the conclusions of the Sandpit [and indeed, the self exploratory work that I have been doing. Of course you may think it is either an invitation to indulge in some child's play or an ominous portend to a disappearance. At any rate, as I was thinking about the post title, I remembered the song, The Sins Of Memphisto, by John Prine. I found it on my song list and double clicked to play. As I was listening, I scanned the lyrics, and it was, "Just as I thought!"

The hands on his watch spin slowly around
With his mind on a bus that goes all over town
Looking at the babies and the factories
And listening to the music of Mister Squeeze
As if by magic or remote control
He finds a piece of a puzzle
That he missed in his soul
Uh huh Oh yeah

Breaking it down, the post title comprises four concepts: time, what, who and where. The "hour" refers to the time spent [which can be an actual hour, if not time of unspecified duration], the “sins’ refer to the issues I wrestle with, the “Mephisto” is yours truly, and the “sandpit” is where it all takes place.

As for the Sandpit, there are two parts to the activity: Creating The Landscape and Populating The Landscape. Bear in mind, the sandpit in this case, was on a long table, with wooden slats to keep the sand from spilling onto the floor [as you can see from the pictures]. There is nothing to say, that the sandpit cannot be on the floor, or outdoors, or anywhere else for the matter [the beach?]. For the purposes of the self exploratory work, it is as described here, and shown in the pictures. The wooden slats create a boundary, border if you like, between the reality of the room you are in, and the sandpit, in which you will be dissecting [i.e. analysing, my favourite passtime, so suck it up FYD!] your thoughts, inner demons, or issue/issues that is/are driving you to distraction.

Back to creating and populating the landscape in The Sandpit [Damn. I just love this word. Sandpit! Sandpit! Sandpit! ]

1.
Creating The Landscape

You are given two minutes for this task. Standing next to the sandpit, you close your eyes. With your eyes closed, you place your hands in the sand. You move your hands through the sand, allowing them to create and follow whatever direction the motion and feeling dictates. Do not think about what you are doing, just do it. After two minutes, open your eyes, and survey the landscape you have created.

2. Populating The Landscape

This is the more considered, no less spontaneous, than the first part of this activity. You are given a number of objects. You are to choose any object that takes your fancy, appeals to you, or holds some meaning, and place it anywhere on the landscap you have just created. With as many or as few objects as you desire. Take your time. Once you are done, step back and survey the landscape [world] you have created.

Of course, the intention of this exercise, is to externalise your feelings, inner demons, or specific issues that are bugging you, so that you can become the spectator, and not the participator. In doing so, you can demystify, dismepower the demons, or gain some perspective.

And to answer the obvious question, “Are there any pictures?”

Happily, the answer is “Yes!”

It’s In The Sandpit. Click on the pictures to view the slideshow.

This article has been cross posted at my rant blog, i.Mephisto. I will be writing a more personalised assessment of this experience [and my self exploratory work] to be posted at a later date.

Powered by Zoundry Raven